{"id":4947,"date":"2021-11-25T12:38:47","date_gmt":"2021-11-25T11:38:47","guid":{"rendered":"https:\/\/orbeatize.com\/heres-the-new-pitch-of-errol-h-tout\/"},"modified":"2021-11-25T12:41:37","modified_gmt":"2021-11-25T11:41:37","slug":"heres-the-new-pitch-of-errol-h-tout","status":"publish","type":"post","link":"https:\/\/orbeatize.com\/en\/heres-the-new-pitch-of-errol-h-tout\/","title":{"rendered":"Here&#8217;s the new pitch of Errol H. Tout"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Acclaimed West Australian guitarist <strong>Errol H. Tout<\/strong> has released his new album, \u2018<a href=\"https:\/\/orbeatize.com\/en\/shop\/errol-h-tout-luminous-dancing-about-architecture\/\" target=\"_blank\" rel=\"noopener\">Luminous &#8211; Dancing About Architecture\u2019<\/a>, a labour of love recorded over a period of three years. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">And he knows what he\u2019s&#8230;dancing about! Tout was Head of the Department of Architecture &amp; Interior Architecture at Curtin University of Technology until 2008, then was more latterly a Senior Lecturer and Chair of the Science and Technology Stream. Then again, he\u2019s also a graduate of <strong>King Crimson<\/strong>icon, <strong>Robert Fripp <\/strong>Guitar Craft School. <\/span><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-medium wp-image-4939\" src=\"https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitarist-300x200.jpg\" alt=\"Guitarist Errol H. Tout\" width=\"300\" height=\"200\" srcset=\"https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitarist-300x200.jpg 300w, https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitarist-1024x683.jpg 1024w, https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitarist-768x512.jpg 768w, https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitarist-1536x1025.jpg 1536w, https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitarist-2048x1367.jpg 2048w, https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitarist-600x400.jpg 600w, https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitarist-557x372.jpg 557w, https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitarist-scaled.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><span style=\"font-weight: 400;\"><strong>For the one-time career architect and long-time musician, many things lie within the name of the new LP.<\/strong> Variously attributed to the likes of <strong>Frank Zappa<\/strong>, <strong>Elvis Costello<\/strong> and comedian <strong>Martin Mull<\/strong>. \u201cThe first quote that I\u2019ve been able to track down from 1931 in the New York Times,\u201d Tout explains. &#8220;\u201cIt was a journalist who actually said it in the context of writing and music being two different artforms and you shouldn\u2019t try doing both at the same time. So writing about music was as stupid as dancing about architecture. Laurie Anderson used it too, I think,\u201d he adds. \u201cIt\u2019s been used and abused! For me, it just made a lot of sense. Once upon a time, being an architect and now I\u2019m being a musician. So it fits well.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Similarly, while music and architecture may be regarded as two different disciplines, <strong>architectural concepts play into the way Tout thinks about music\u2026<\/strong> \u201cVery much so,\u201d Tout says. \u201cThere\u2019s a perception as you move through something. The perception of space is that you see it as you move through it. The perception of sound is that sound moves past you. So things move though each other and there\u2019s should be a level of being able to discuss clearly about how it actually does it. You certainly have to do that in Architecture school. So architecture is about moving through space, and music is about moving through time.\u201d <\/span><\/p>\n<p><strong>About the work<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">The music is described as \u2018<strong>Bright, cheerful, instrumental guitar music \u2013 without sounding like a tosser.\u2019<\/strong>On this album the following instruments will be found, lurking with delightful intent.<\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\"><strong>Errol plays:<\/strong> Wise 6 string acoustic guitar, Godin MIDI guitar, Fender Squier Telecaster hot-rodded to MIDI guitar with infinite sustainer, Gibson Les Paul Custom Black Beauty hot-rodded to MIDI guitar, 1987 Ovation Custom Legend, Epiphone fry pan lap-steel. Fractal AX-8 dealt with all guitar processing.<\/span><\/li>\n<li><span style=\"font-weight: 400;\"><strong>Mike Gorman plays:<\/strong> Ovation 6 corde Viper, Ovation Custom Legend 6 and 12 chors, Les Paul Custom.<\/span><\/li>\n<li><span style=\"font-weight: 400;\"><strong>Sam Tout plays:<\/strong> bass fretless and keyboards.<\/span><\/li>\n<li><span style=\"font-weight: 400;\"><strong>Roy Martinez suona:<\/strong> Basso a 5 corde Yamaha.<\/span><\/li>\n<li><span style=\"font-weight: 400;\"><strong>Rik Eastmann plays<\/strong>: lotsa things that drummers thump to make cool noises.<\/span><\/li>\n<li><span style=\"font-weight: 400;\"><strong>AKG mikes<\/strong>were used for recording acoustic guitars but some, after extensive testing, sounded best plugged straight into the desk. . Apart from the Roland GR55 Guitar Synthesiser, the synthesisers were to be found deep in the depths of Cubase, and Sam\u2019s digital keyboards.<\/span><\/li>\n<li><span style=\"font-weight: 400;\"><strong>Both Errol and Mikes use<\/strong> lthe New Standard Tuning on most of their guitars.<\/span><\/li>\n<\/ul>\n<p><strong>How does one go about making a new piece of music? <\/strong><\/p>\n<p><span style=\"font-weight: 400;\">&#8220;This guitarist has found the following to be of use: Having a nice, well-tuned instrument in your hands, in his modest [but tidy] studio is a pretty good start. Having a sensitivity to be awake enough and willing to catch ideas as they fly by is essential. These ideas fly by this aspiring guitarist as the oddest of times. Errol is currently being coached by Tony Geballe. He may be working away at &#8220;nasty ,nasty fingering exercises or pentatonic scales, in numerous positions, and something will fall poorly on the guitar \u2013 but wow &#8211; something really cool just sounded&#8221;. &#8220;A catchy little phrase, an interesting texture. <strong>Even a cool sound can lead to an interesting piece of music. The piece then needs to be brought to life. <\/strong>&#8220;This takes arrangement and development of an idea, and [in Errol\u2019s case] a lot of time&#8221;. This is where his 35 years of experience as an architect helps. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Another way to start a piece of music is to \u2026start. Yes start. It might be a phrase that spins your wheels, a bass run, a child laughing, a stunning sunset. Some people suggest you can just pinch something. These might suggest some basic ideas can then be developed, turned over, inside and out. Left to fester. Until something bright, clever and sparkly makes it\u2019s way into the world&#8221;.<\/span><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-medium wp-image-4941\" src=\"https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitar-details-300x200.jpg\" alt=\"Errol Tout, guitar details\" width=\"300\" height=\"200\" srcset=\"https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitar-details-300x200.jpg 300w, https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitar-details-1024x683.jpg 1024w, https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitar-details-768x513.jpg 768w, https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitar-details-1536x1025.jpg 1536w, https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitar-details-2048x1367.jpg 2048w, https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitar-details-600x400.jpg 600w, https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitar-details-557x372.jpg 557w, https:\/\/orbeatize.com\/wp-content\/uploads\/2021\/11\/errol-tout-guitar-details-scaled.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong>&#8220;Words don\u2019t do it for this little guitarist. He leaves them to people that are good at it&#8221;.<\/strong><\/p>\n<p><strong>Something about the album cover<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">The cover was a simple piece of work. Errol called <strong>Jon Tarry,<\/strong> a celebrated Perth artist, and asked him if he had any images that may suit the cover, given the title. He very generously sent a few images in the \u2018<strong>Blue Dancing\u2019<\/strong> series. It felt right and looks beautiful. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Acclaimed West Australian guitarist Errol H. Tout has released his new album, \u2018Luminous &#8211; Dancing About Architecture\u2019, a labour of love recorded over a period of three years. And he knows what he\u2019s&#8230;dancing about! Tout was Head of the Department of Architecture &amp; Interior Architecture at Curtin University of Technology until 2008, then was more [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4938,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[120],"tags":[],"class_list":["post-4947","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Here&#039;s the new pitch of Errol H. Tout - Orbeatize<\/title>\n<meta name=\"description\" content=\"From the words of its author, the new album of the famous Australian guitarist Errol H. 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